A history of Jewish life in Britain, one extraordinary artefact at a time
David Latchman began his incomparable collection charting the history of UK Jewry aged just 18, with a book bought for a pound.
Jenni Frazer is a freelance journalist
In a quiet suburban road in London, a cheerful academic is rejoicing in talking about the things he loves best – an extraordinary collection of Judaica, charting the history of Anglo-Jewry.
Privileged visitors are faced with a cornucopia of objects, each one with its own fascinating story, both of its place in history and of professor David Latchman’s adventures in acquiring it. In every corner, there are shelves and display cases: here a run of antiquarian books, there a collection of china representing Jewish pedlars.
There are scientific instruments made by Jewish craftsmen and gorgeous silver ornaments – including a crown I recognise, from a Torah scroll from my own now defunct shul in Manchester.
There’s a sword once carried by a Jewish officer in the First World War; a giant menorah that used to belong to the B’nai B’rith lodges. There is a silver coin on which the bare-knuckle boxer Daniel Mendoza is depicted; and a deed dating from the 13th century in which it is stipulated that a piece of land in Yorkshire should not be sold to Jews.
There’s a door-sized display board of the honorary officers of the New Synagogue in Great St Helens, Bishopsgate, dating from 1871, with members of the unlikely-sounding Jewish Peartree family recorded as wardens and financial officers. There are countless paintings of solemn but anonymous rabbis, and just as many of identifiable chief rabbis and of that 19th century colossus of Anglo-Jewry Sir Moses Montefiore. There’s a gorgeous portrait of the war poet Isaac Rosenberg
There are numbers of orders of service, particularly for state occasions such as the present Queen’s coronation; and there is furniture, too, such as rabbinical pews from long-closed synagogues, and a recent acquisition, a beautiful organ from Manchester’s Higher Broughton Synagogue, “kept under the stairs and rolled out on Sundays for weddings”.
There are numbers of orders of service, particularly for state occasions such as the present Queen’s coronation
The sheer breadth of Latchman’s collection is stunning, easily rivalling any museum I’ve ever visited. But, as he tells it, he began collecting almost by accident, buying a book on Montefiore – “it cost £1” – when he was just 18.
His collecting passion predated his Judaica, he says. “As a teenager, I used to buy books, Ian Fleming, for example, going to all the WH Smith outlets to see what they had. But eventually I realised you could order them, so there was no great excitement in that. Then I started buying second-hand books – but I still ended up with a lot of random things that took my fancy”.
The early scientist in Latchman – he is a geneticist who is vice-chancellor of Birkbeck University – led him to decide to restrict what he was collecting. “The problem with science books is that even when you’re experienced, it’s very hard to know what’s right and what’s wrong. So I thought: ‘Keep it separate from science, I’ll collect Judaica.’”
For a long time, he says, he “just” collected books but, by degrees, he branched out, always curious to link the history of a synagogue with an illustrated manuscript, a painting or a piece of anniversary silver.
“I am very, very, very strict. I don’t buy anything that doesn’t have some connection with Britain; and if I want to buy something, it’s got to have some justification as to why it fits in the collection.”
He describes himself as a “completist”, who spends considerable time ensuring he has, for example, every book by a particular author or every portrait of a specific rabbi. But, inevitably, he can’t buy everything and there are occasions when he is beaten by another bidder at auction, or when he “lusts” after a rare item he just hasn’t managed to lay his hands on – yet.
“I am very, very, very strict. I don’t buy anything that doesn’t have some connection with Britain; and if I want to buy something, it’s got to have some justification as to why it fits in the collection.”
It’s hard not to get caught up in Latchman’s enthusiasm and recognise that the thrill of the chase is sometimes as enjoyable as an item’s acquisition. Over the years, he has built up an enviable expertise and judgment as to what constitutes a rare collectible.
He clearly adores everything he’s bought, but has his favourites.
The Jewish Museum, he explains, has a title deed recording the purchase of a piece of land in the late 1670s. The buyer was Benjamin Levy, essentially the founder of the Ashkenazi community in London. This deed does not show what Levy bought it for but merely records the sale from a non-Jew.
But Latchman has a deed written the next day, showing Levy giving the land to the members of the Great Synagogue in Duke’s Place, for what was to become Alderney Road cemetery, the first Ashkenazi burial plot in England. “I think of this as the foundation document of the Anglo-Jewish community,” he affirms.
Latchman hasn’t yet made up his mind as to the future of his collection – on which he’s not prepared to put a value.
There are even more arcane items in the collection that might pass most of us by. Does he have anything in Yiddish? David produces an extraordinary 1899 guidebook, which was aimed at Yiddish-speaking tourists to London. I make out details for visiting the Tower of London, along with adverts for tooth cleaners.
Or he’s rather fond of an unpromising-looking little pamphlet, about the size of a cigarette packet and consisting of just a few pages. This turns out to be a coach timetable – in Yiddish – for Jewish pedlars, going from inn to inn the length of 19th century Britain. It’s an extremely rare item, because often, after consultation, such timetables were thrown away.
Elsewhere there are bigger objects, including an impressive gleaming brass telescope made by one of a cadre of Jewish instrument makers, Abraham Abraham, who was, he says, “not just Jewish but embedded in the community”.
Latchman hasn’t yet made up his mind as to the future of his collection – on which he’s not prepared to put a value. Meanwhile, he’s working on a new book, arising from his passion – the stories of 10 chief rabbis, going back to Aaron Hart, in 1705.
It consists of material he couldn’t get in his first book, to mark the United Synagogue’s 150th anniversary.
All being well, it should be ready for Jewish Book Week 2023.
Mention of Aaron Hart leads us, inexorably, to talk of Lemon Hart, who gave his name to the eponymous rum – and who was born Lehman Hart in Penzance, Cornwall, in 1768, the grandson of a Jewish immigrant from Germany.
For every item, there is a story – the wilder the better. And it all began with one book, bought for a pound.
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