Yad Vashem unveils powerful art exhibit telling stories of Shoah and 7 October

'I focused on the small moments, the human stories', says Israeli artist and Kibbutz Kfar Aza survivor Tal Mazliach

  • Artist Tal Mazliach: Jorge Novominsky/ Yad Vashem
    Artist Tal Mazliach: Jorge Novominsky/ Yad Vashem
  • A Moment in the Holocaust. Pic: Yad Vashem, Tal Mazliach
    A Moment in the Holocaust. Pic: Yad Vashem, Tal Mazliach
  • And Yet I would like to find someone from my family in order to belong to someone. Pic: Yad Vashem
    And Yet I would like to find someone from my family in order to belong to someone. Pic: Yad Vashem
  • Eating is Forbidden for Jews. Pic: Yad Vashem
    Eating is Forbidden for Jews. Pic: Yad Vashem
  • I am the Only One Left. Pic: Yad Vashem
    I am the Only One Left. Pic: Yad Vashem
  • I Continue Not To Die. Pic: Yad Vashem
    I Continue Not To Die. Pic: Yad Vashem
  • Intimacy. Pic: Yad Vashem
    Intimacy. Pic: Yad Vashem
  • Once I fled from home because of Hitler, and today because of Hamas. Pic: Yad Vashem
    Once I fled from home because of Hitler, and today because of Hamas. Pic: Yad Vashem
  • Should we bring children into a world where cruelty reigns supreme, Pic: Yad Vashem
    Should we bring children into a world where cruelty reigns supreme, Pic: Yad Vashem

Yad Vashem has commissioned a series of eleven original works by acclaimed Israeli artist Tal Mazliach to tell the stories of the Shoah and the atrocities of 7 October.

Mazliach, a 64-year-old resident of Kibbutz Kfar Aza on the Gaza border, survived the brutal Hamas attack.

She spent more than 20 harrowing hours barricaded inside her home whilst 250 terrorists swarmed into the community, murdering 62 people and kidnapping 19.

Artist Tal Mazliach: Pic: Jorge Novominsky/ Yad Vashem

Mazliach is the second person selected for Yad Vashem’s Residency Project, which invites artists from various disciplines to draw inspiration from the site’s collections, archival material and dedicated experts.

Her exhibition works include ‘The Gestapo Went to Great Lengths to Hunt Me Down’, ‘I Am The Only One Left’, ‘I Continue Not to Die’ and ‘Once I Fled From Home Because of Hitler, and Today Because of Hamas’.

Mazliah said: “I was searching for love, for a kiss, for something intimate. And then you realise — there was intimacy. There was humanity. Even in the midst of all this horror, someone was falling in love with someone else. It’s almost hard to believe, but there was compassion. There was friendship, kindness, connection. There was so much more than just tragedy. I wasn’t looking for the big, terrifying, monstrous things. I focused on the small moments, the human stories.”

The Gestapo Went to Great Lengths to Hunt Me Down. Pic: Yad Vashem

Yad Vashem art curator Orly Ohana calls Mazliach’s work “a profound meditation on the continuity of trauma”, adding that the Holocaust and the events of 7 October “are separated by generations, geography, and context — but her art reveals how suffering can echo across time. Her paintings don’t mimic Holocaust art; rather, they absorb its emotional language and translate it for a new moment of reckoning.”

The questions linger in my mind Where did he go Who will meet me at home, who am I coming back to I have no home, I have no one. Pic: Yad Vashem

Yad Vashem chairman Dani Dayan said: “Yad Vashem holds one of the world’s most significant collections of Holocaust-era art — works that were often the final expressions of Jews before they were murdered. With Tal’s exhibition, we see how that legacy continues to evolve.

“Her work speaks powerfully to this generation’s anguish while honoring the memory of another. Through these canvases, we witness the transmission of collective pain — and the resilience that springs from it.”

Where Are They Headed They Are Vanishing. Pic: Yad Vashem

Kibbutz Kfar Aza residents, twins Gali and Ziv Berman, remain captive in Gaza.

  • “Journey in the Wake of Catastrophe” is now open to the public at Yad Vashem’s Art Museum in Jerusalem
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