REVIEW: Allegra, Richmond Theatre
Maureen Lipman shows poise and presence in the title role of this charming play
In a play that will touch the hearts of many, Maureen Lipman plays Allegra, a woman of senior years who, through conditions that are unstated in the script but clearly recognisable, is losing her connection with the world around her.
Frequently disappearing into her own private world of song, it matters not whether dementia or Alzheimer’s is her diagnosis, rather that Allegra is a woman of remarkable mental energy who is finding her world increasingly confusing.
Writer Peter Quilter offers three foils to Allegra’s vivacity: her brother Ronen (John Middleton), her Czech carer Anna (Elizabeth Bower), and PC Rogers (Bailey Patrick) the local cop who’s tasked with challenging Allegra over her singing that has been complained about as a public nuisance.
The strength of Quilter’s writing lies in its deliberately unsophisticated charm. The action as it plays out is simply defined, in a dialogue peppered with neatly timed gags that all land perfectly. Throw in a liberal measure of songs that stretch back over the years – and how Allegra, who may not remember that she had only seen her brother barely two hours ago, but can remember lyrics and tunes that date back decades – and one realises the perceptive depth of Peter Quilter’s script.
There are hints of Quilter’s Glorious! – about Florence Foster Jenkins – in the story, as well as a hint of One Flew Over The Cuckoo’s Nest as Allegra reluctantly subjects herself to the medication imposed upon her by the Court.
More than just the writing, however, it is Lipman who takes this story of simple charm, lifting it into an evening of simply stated drama, that’s also rather wonderfully sung. In a performance of powerfully poignant presence and poise, she captures not only Allegra’s comic eccentricities but, almost heartbreakingly, her fragile vulnerabilities too.
The musical backing may be prerecorded, but Lipman’s singing, often a-capella, is thrillingly glorious, truly live, and possibly one of the finest performances to be found. That the lyrics of Take Me Out To The Ball Game are also projected on screen, encouraging an audience singalong, only adds to the evening’s magic.
Stephen Mear directs his first play (albeit one with music and some neat choreography of course) and he has helmed a hit, unlocking a beautifully nuanced story of simple humanity.
Prepare to laugh and cry – Allegra is exquisitely crafted theatre.
Runs until 13th June, then on tour before playing at the Harold Pinter Theatre in the West End
Jonathan’s reviews can be found at jonathanbaz.com
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